Sartre’s conception of “the look” creates an ontological conflict with no real resolution with regard to intersubjective relations. However, through turning to the pages of The Transcendence of the Ego one will be able to begin constructing a rich public ego theory that can outline a dynamic and fruitful notion with regard to interpersonal relations. Such a dynamic plays itself out between the bad faith extremes of believing too much in an all-powerful look on the one hand, as well as (...) believing too much in some deep “I” or persona on the other. Indeed: Through a rigorous analysis of Sartre’s main principles regarding his conception of the ego, we will see that the latter is first and foremost a transcendent object for reflective consciousness; an object, moreover, that gets “magically” reversed into a subject-bearer of states, qualities, and the like, only in a secondary moment. This has the consequence that there is no deep, graspable “I”; but precisely because of this one’s personality is there in the world, to be shared and displayed, discussed and challenged, at every turn. Thus a Sartrean notion of personality involves a matching up of external aspects of ourselves that others in fact know better, with our own interiorities that can nevertheless always be shared through a reflective language that always has the same structural core. (shrink)

I argue for three different concepts of God in Being and Nothingness. First I review the relevant scholarship with regard to Sartre, religion, and God. Second I show how Sartre uses three Gods in his ontological system: God as Nature, God as radical Otherness, and God as absolute Value. Third I show that Sartre’s conception of the imaginary explains how a purer, more theoretical conception of God can be perverted into more anthropocentrised and anthropomorphised versions. Fourth I consider the consequences (...) of sticking to more Sartrean notions which ultimately can emphasise humility, respect, and responsibility before Nature, the Other, and Value, thereby calling for a reduction of both anthropomorphism and -centrism in religious faith and our conceptions of God. (shrink)

Sartrean conceptions of the Ego, emotions, language, and the imaginary provide a comprehensive account of "magic" that could ultimately give rise to a new philosophical psychology. By focusing upon only one of these here— the imaginary —we see that through its irrealizing capabilities consciousness contaminates the world and bewitches itself in a manner that defies simple deterministic explication. We highlight this with an explication of what Sartre means by "nihilation" and the "analogon," and introduce a concrete example of nostalgia, hoping (...) to lay the scene for a detailed study into the dynamic between our ontological freedom and its constitution and experience of phenomena as enchanting and bewitching. "Magical being" must therefore involve a deep, Sartrean analysis that explicates ontological freedom as becoming concretely engaged in both the real and irreal alike, whereby the imaginary as magic can lead to the most insane, as well as the most artistic, incantations. (shrink)

This article argues for a Freudian theory of internal emotion, which is best characterised as key “safety valves of the psyche”. After briefly clarifying some of Freud’s metapsychology, I present an account regarding the origin of (self-)censorship and morality as internalised aggression. I then show how this conception expands and can be detailed through a defence of a hydraulic model of the psyche that has specific “safety valves” of disgust, shame, and pity constantly counteracting specific sets of Freudian drives. This (...) model is important for explicating Freud’s crucial concept of sublimation, which continues to have key therapeutic and normative relevance today, which I show through the case of jokes. I finish with the argument that largely happy, productive lives can be seen as in a dynamic between the release of too much (perversion) and too little (neurosis) psychical pressure through these mechanisms. (shrink)

This paper contrasts Sartre’s account of emotion with Heidegger’s account of Befindlichkeit and ‘mood’. Sartre’s account of emotion is a strong one: emotions occur only when a more neutral and colourless ‘pragmatic attitude’ is frustrated or breaks down. In this manner, emotion has to be acutely felt in and through the body, which also means that there are many circumstances and states in which we do not undergo any emotion at all. In fact, Sartre’s ‘pragmatic attitude’ is precisely the mode (...) in which we simply go about our business in an emotionless manner. This raises the question as to whether Sartre’s stark opposition between emotional and non-emotional experiences actually holds. I believe Heidegger’s account of Befindlichkeit and its moods are key in this regard, in that it can be used to nuance the Sartrean account. Indeed, Heidegger famously states that Dasein is never unattuned. In fact, precisely because of the ontological structure of Befindlichkeit, the world always already matters to us in one way or another, with moods being one of our primary ways of experiencing what matters and why. This discussion therefore aims to yield an account whereby faint moods and strong emotions form two poles of the same dynamic. To use a metaphor, moods are the tectonic plates that make the various emotional shakes and quakes possible in any given situation. Finally, I finish with some possible remaining tensions between the two thinkers, as well as a way to look for a possible solution. (shrink)

By introducing 'drives' into a Sartrean framework, 'being-in-itself' is interpreted as 'Nature as such', wherein instincts dominate. Being-for-itself, on the contrary, has an ontological nature diametrically opposed to this former – indeed, in the latter realm, through a fundamental process of 'nihilation' (Sartre's 'freedom') consciousness perpetually flees itself by transcending towards the world. However, a kernel of (our) nihilated Nature is left at the heart of this process, in the form of 'original facticity' that we here name drives. Drives are (...) the original feelings and urges of a freed Nature that simply are there; they are the fundamental forces that consciousness qua freedom always has to deal with. Drives, in addition, can be nihilated in their own turn, onto a reflective, irreal plane, whereby they take the form of value . This means Sartre's notion of ontological desire is always made up of two necessary components: drives and value. (shrink)

Treatise with auto-commentary on Dvaita philosophy.

On philosophy; transcript of the 1978-1979 Śāradā-vyākhyāna-mālā lecture, under the auspices of Sri Lal Bahadur Shastri Rashtriya Vidyapeeth, New Delhi.

Articles chiefly on tradition and philosophy; includes articles on the cultural history of India from philosophical perspectives.

Critical study of of the addresses of Sir Muhammad Iqbal, 1877-1938 from philosophical and religious point of view.

Islam; customs and practices; Islamic ethics; Islamic law.

Silence has gained a prominent role in the field of psychotherapy because of its potential to facilitate a plethora of therapeutically beneficial processes within patients’ inner dynamics. This study examined the phenomenon from a conversation analytical perspective in order to investigate how silence emerges as an interactional accomplishment and how it attains interactional meaning by the speakers’ adjacent turns. We restricted our attention to one particular sequential context in which a patient’s turn comes to a point of possible completion and (...) receives a continuer by the therapist upon which a substantial silence follows. The data collection consisted of 74 instances of such post-continuer silences. The analysis revealed that silence can retroactively become part of a topic closure sequence, can become shaped as an intra-topic silence, and can be explicitly characterized as an activity in itself that is relevant for the therapy in process. Only in this last case, the absence of talk is actually treated as disruptive to the ongoing talk. Although silence is often seen as a therapeutic instrument that can be implemented intentionally and purposefully, our analysis demonstrated how it is co-constructed by speakers and indexically obtains meaning by adjacent turns of talk. In the ensuing turns, silence indeed shows to facilitate access to the patient’s subjective experience at unconscious levels. (shrink)